Qualities that define Public Space

I am currently reading Ali Madanipour´s new book "Whose Public Space?" (2010, Routledge). The book in general investigates the making of public space through analysing the process of urban design and development. It is argued that public spaces should be accessible and developed through inclusive processes. Public spaces need to support certain qualities such as physical access, social access, access to activities and discussions, or inter-communications; and access to information. The first and second quality are most obvious - physical access refers to physical environment which everybody is entitled to be physically present; and second quality, social access, involves the presence, suggesting who is, and is not welcome in that space. The social image and ambient of the place can make the space more welcoming, less intimidating to wider range of groups. The third quality refers to place where the activities and discussions on its (public space) development and use processes are open to all. Thus it can be said that the "public space" is the place where public authorities are responsible for guaranteeing the existence of arena where citizens can express their attitudes, assert their claims etc.Through this function the arena enables the meaning of public space to express needs, interests, negotiate and understand. And finally the fourth quality - access to information - allows us to define the the public space as the place where information regarding its development and use processes is available to all members of society.

 

Supermall vs local high street

It is found out by the LDC (Local Data Company) that Britain has the worst rate of shop closures this year, with one in four shops closing down. Three times more shops are now closing across the country´s town centres than did last year, with 19 000 shops shutting so far in 2009. Most of these were independent stores. While shopkeepers admit that the recession has not helped, the overwhelming feeling is that the town´s problems cannot be blamed on the financial crisis only. The impact of the new-out-of-town shopping complex is the principal gripe.

A stroll down the local high street currently might be a devastating view - clusters of empty shop facades outnumber the surviving businesses, an array of charity shops and pound stores that has filled some of the vacated units. Faint lettering leave the reminder of shops moved out. However there are attempts to try to counter the high street´s appearance. To lessen the visual impact of rows of vacant stores, some of the local councils have installed artworks in some windows and painted the shop fronts bright colours. It seems a temporary solution though.

A city, a local high street should be a living organism that contains more than one function. I admire the enthusiasm of local council workers in Margate who have come up with the idea "... to prepare the high street for an age in which it is not solely a shopping centre, but one in which former stores might be used as university classrooms, community centres or art installations..." The end of the retail-dominated high street looms in the horizon, finally...

ESP - graphical toolkit

In parallel to YouCanPlan brand I have been working on toolkit for ESP - Enabled Self Procurement - trying to visualise processes in architecture and planning. These are examples of booklet in progress that hopefully is soon to be found at www.esp-sim.org

YouCanPlan brand - stand assembly movies

It took our team of 7 people 6 hours to put pieces together and 1.5 hours to assemble the exhibition at first time. I used remote capture photography to record the process. It basically is a software that allows a computer to remotely fire a digital camera connected to it and images can be stored directly onto the computer's hard disk. There are several programs one can use for remote photography the only problem being your camera battery running out...

YouCanPlan brand - exhibition assembly

Important part of the design process was technology - we decided to use cnc-cutting. Although it is super precise, it puts more work on your shoulders. For this exhibition we ended up cutting 17 sheets of plywood and 7 sheets of MDF... altogether it is around 300 pieces that need to become one big puzzle. How easy it is to make a mistake... I am convinced that using cnc-cutting in that kind of size, one needs to do prototypes. We were lucky that there were only few pieces that needed resizing (with hand saw and sanding of course). The following are the examples of sheet layouts when they went into the cutting machine, and instructions for team to put pieces together.

1ST TERM PRESENTATION

This thesis project focuses on the questions of identity and tourism.
In my research question: how to reproduce identity through public space?, I would like to emphasize the words reproduce and through. Because I believe that identity is not something fixed, but rather placing itself among the variety of behavioural patterns; and it must be played out (lived).

Everywhere throughout the world local people in response to the opportunities afforded by the global tourism industry (mostly moneywise) are putting their culture on display. Instead of talking, living it out and starting the dialogue with tourist, the host population is actually trying to fulfil the expectations of a traveler. Tourist is kind of a pilgrim, who is seeking authenticity in other times and other places away from home. He shows particular fascination in the real lives of others.

Traditionally people have traveled away from their residence and work in order to participate in tourism. The tourism however does not start nor end with the physical departure and return. Anticipation and daydreaming, remembering and reminiscing are equally part of tourism experience. But if one does not need to leave the place of residence to become a tourist, then tourism and therefore also search for identity or comparison with others, cannot be described as a quality of place and time only. It is rather quality in the minds of people. Or the relationship between person and a place/ environment that makes the identity. The ways in which people experience that environment (and themselves), is not merely instrumental, but often exploratory, unsystematic, wasteful of energy and fun. They do not want to use only their vision; they need to hear, to touch, to taste and gather these five perceptions in a world.

My context is based on a village in eastern border of Estonia, known as a settlement of russian old believers. This one of the places where villagers gain mostly from tourism, but that only for up to 4 months a year. This village is extraordinary from its layout compared to historical estonian villages. It is 7km long one streetvillage. Houses are built very close to each other, there is no pavement to differentiate car area from pedestrians, and people tend interact just on the doorsteps.The citizens of the village are mostly old people; therefore it is believed that in less than 20years there will no longer be authentic village as such for tourism industry.